Search results for " listener"

showing 2 items of 2 documents

Parlare per ascoltarsi. Note su alcuni aspetti dell'interlocuzione.

2015

This paper considers the nature of interlocution from the point of view of three different research programs: the theory of enunciative operations of Antoine Culioli (or toe), the psychoanalysis of Jacques Lacan (or pla) and the enactive grammar of Didier Bottineau (or ge). It is composed of three parts: in the first part, we introduce some definitions of interlocution in order to distinguish between terms and empirical supports of interlocution. The second part is devoted to the analysis of some sensorial operations that are at work in the context of verbal inter- action – with particular reference to the cases of acoustic feedback. Finally, in the last part we discuss in which sense and u…

Interlocution receiver listener auto-reflexivity dialogical gesture.Enaction psychoanalys interlocution semiosis listenerSettore M-FIL/05 - Filosofia E Teoria Dei Linguaggi
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Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition

2021

Starting from sociologist Anne-Marie Green?s idea of ?common space?, and from Hans Robert Hauss? reception theory, the improvisation workshop is thought to be a way of transforming the practices of reception, in order to modify the nature of the culture of listening of each listener. Four research axis are, then, proposed, from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education, including the research of communicational tools specific to reception of music, capable of captivating the listeners with the original aspects of the unknown musical territories.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutrathe improvisation workshop is thought to be a way of transforming the practices of receptioncapable of captivating the listeners with the original aspects of the unknown musical territories. 165 186Arthur Starting from sociologist Anne-Marie Green?s idea of ?common space?territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutra [revista de investigación musical]2386-8260 13268 Itamarproposedthenincluding the research of communicational tools specific to reception of music:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of educationand from Hans Robert Hauss? reception theoryin order to modify the nature of the culture of listening of each listener. Four research axis are
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